Federica Porello trained at P.A.R.T.S. in Brussels (2002-2006). During her studies she collaborated with the saxophonist Ilan Manouach developping a duo of dance and music improvisation, Statues. After graduating she worked with a.o. choreographer Marlene Monteiro Freitas (Larvar, 2006), visual artist Anne Kathrine Dolven (Ahead, 2007), the theater Company Tg Stan (The Tangible, 2010), choreographer Ariadna Estalella (Condició per a (x) cosos, 2011), the puppetry Company AdonK! (Commune Présence, 2012), the shadow theater Company Le Théâtre de Nuit (Le Cantique des oiseaux, 2015) and Zoo-Thomas Hauert.
In 2015 she participates in The Measure of Disorder, a creation directed by the belgian based choreographer Thomas Hauert in collaboration with Group LaBolsa, seven international independent artists who met in the city of Barcelona. It premiered in july 2015 at the Grec Festival, Barcelona.
Her works include the monologue Niets Verliets Iets (2006), created with the help of Mathias deKoning and Teaching Set and Reset/Reset (2010), a documentary on the teaching of one of Trisha Browns’s masterpieces Set and Reset to students of the Belgian performing art school P.A.R.T.S. Set & Reset is a piece Trisha made in 1983 and it is still part of the curriculum of different dance schools worldwide. The documentary was produced by P.A.R.T.S and the Trisha Brown Dance Company.
She is currently collaborating with Xavi Moreno and Marine Broise for the creation of WeWood, produced by Les Chasseurs Cueilleurs, co-produced by IF Barcelona, and supported by L’animal a l’esquena (Celrá), Festival MIMA (Mirepoix), Odradek/ Pupella Nogués (Toulouse), CC Guinardó, Antic Teatre, La Caldera, La Visiva and Teatre Zona Nord (Barcelona), Probedones d’Abaigt (Saint Laurent de Cerdans), La Page d’Aventure (Arles sur tech) and le Théâtre de Cuisine (Marseille).